Skip to main content

How have we changed our definition of the comic form over time?

At its essence, I believe our definition of the actual comic form has changed very little over time. Whether dime novels or pulp fictions or comic books and strips, the image that comes to mind is a story, typically told through both text and picture, that depicts a hero struggling against the greatest fears of contemporary society. While artistic styles, color technology, and even the icons used to depict these stories may change over time, the iconic format of the comic itself remains the same. What changes is the message portrayed though the story. This message always speaks to what society's greatest fear is, as it is this fear that the hero must struggle against and, inevitably, overcome. In America, the comic form has a history of presenting the national ideal of an individual and upholding what are viewed as societal values and identities. These then overcome any perceived threats to this national self-image, threats which change depending on the time.

In terms of content, the comic form was first found among the dime novels, the country was undergoing rapid urbanization in the post-Civil War era, and the western frontier was nearly, if not already, extinct. The sense of American identity, which to that point had been inseparable from "Manifest Destiny", underwent an identity crisis. Along with this closing of the frontier came urbanization and a massive influx of immigration. Many people feared that these things would combine to degrade civilization and the American way of life. In answer to this was the dime novels of popular culture, which often featured men who were the best of what society had to offer overcoming adverse conditions or enemies to behave in a way representative of American virtues. When the Great Depression introduced into the common mind the idea that living according to these virtues might not be enough to succeed for normal humans, superheroes were introduced as the more-than-ordinary individuals required to overcome the days adversity. Thus, the identity of the modern comic was born.

While the evolution of how the content of comics formed plays a key role in the view of comics today, the development of the physical format is equally important. Comic books emerged from the hybridization of comic strips and pulp fiction. While pulp fiction may have provided the basis for the fantastical stories, the comic strips are what gave rise to the combination of text and illustrations in sequential panels to tell a tale. Comic strips originated as weekly installments used to attract readers. Then they began to be issued in a compilation book format. Eventually, publishers began seeking new materials to sell in the books, not just reprints of old comics. Taking the idea material from pulp fiction, they applied to formatting of the comic strips. In this way, comic books in their familiar format developed.

Comments

J Chambliss said…
I think you have touched on a key point. Does the medium change or the message. At some level, scholars argue that comics are merely the current form of communal narrative. These stories have not changed, merely the means to tell them.

Popular posts from this blog

Mythology and Superheroes in Comics

Ohhh my goodness... When I decided on trying to analyze the mythological origins and references in superhero comics, I had no idea the can of worms I was opening up... On the one hand, it was awesome to see just how many connections there were between superheroes and psychology/mythology/philosophy, but all the information also made it terribly difficult to distinguish what I should be using and how to tie it all together. When I was talking to one of my sorority sisters about it she said, "Oh yeah, well, research essays are kind of like putting together puzzles..." and I think that really sums up what writing this paper was like for me. Fortunately, I was really interested throughout the whole process and I very much enjoyed writing the paper. Being a psychology major, I was especially interested in reading about the Jungian archetypes that had a lot of parallels with major modern comic books superheroes. I was also able to incorporate Joseph Campbell's "hero cycle...

Why blame comics for societal failure?

Why blame comics for societal failure? Society blamed comics for the societal failures because it was a fairly new industry, and as things seemed to go “wrong” they figured it must be comic books. When a child grew up during the war, his father was probably killing people and the military and his mother was probably making things in factories to help kill the opposition. The only things kids had to “babysit” them was comic books, and they read many different kinds. So when kids starting acting differently in this new generation the figured it must be the comic books. Society didn’t want to believe it may have been the internal and external scars war causes on the soldiers and their families. Also the fact that young unattended children are reading these comics may not be able to differentiate between fantasy and reality. When society fails it always needs a scapegoat then it was comic books next it was rock and roll. Society naturally resist change.

#FUTURES: Tomorrow Idris Elba will be the Last Man Standing

There is some bad buzz around Pacific Rim on the web. I suspect the possibility of a giant robot movie being awesome is too much for some people.  The internet is full of dark corners, but until we see the movie we won't know the box office.  What we can tell right now is that Idris Elba is doing his part to make the movie a success. A standout performer, Elba has made a name for himself in countless productions .  He achieve wide recognition for his turn on the big screen in films such as Thor and on the small screen in the BBC's Luther . Of course, the open question about actors of color in any film is whether not they will help or hurt the box office.  Will Smith recent disappointment with After Earth opens the door for this conversation. His lack of success sparks the question who will be the next "bankable" star of color. There can be only one! See what I did there:-)  These sentiments reflect a Hollywood centric approach that ignores Nolly...