In terms of race, comic books certainly offer stereotypes. In the comic book timeline, we have seen a prevalant source of stereotypes. During the 1910's and 1920's, when the comic book industry was essentially started, racial stereotypes were excepted as the social norm, which is why they were often seen in comics during this time. As with most other issues in America, the comic book industry followed the culture and changes. As time progressed, the stereotypes changed, giving African Americans, in particular, a continuously changing image. At first, the comic writers were very blatant with their stereotypes. But as the times changed, they tried to be more liberal with their projections of racial stereotypes. Although the writers started to make a conscious effort to rid the comics of these stereotypes, they found it quite difficult. So although the comic industry has tried to rid itself of the negative image of racial stereotypes and has done a decent job in doing so, stereotypes have been and essentially always will be a little piece of the comic book industry.
To begin with, I really do like the idea of reading a comic about comics. I think it's a great idea and it's very well executed. As I was reading the first two chapters, I was surprised at how many examples there were of art in recent (and ancient, in some cases) history that are variations of "sequential visual art" and thus the foundations of modern comics. I'd never even thought about it before and it was hard to believe how many different kinds there were. I also love all the discussion about how our human brains automatically interpret certain images in a specific way, how we see others constantly but we identify ourselves when we look at cartoons, and how inanimate objects automatically becomes extensions of our bodies. The pyramid of styles was very interesting too as a way to conceptualize and almost graph or "place" a specific art style in comics. In Comic Book Nation , I enjoyed reading about the evolution of early comics from "funnies...
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