Skip to main content

Were comics at the forefront of social transformation or laggging behind in the 1960's?

In my opinion, comics were at the forefront of social transformation in the US in the 1960's. However, comics were not exactly the "go to" form of news about social issues, especially with the television being a new form for news and entertainment. With all that being said, some comics were able to stay up with the times. Marvel Comics was consistently good at this, creating stories that were directly related to major social issues that were current in the country. Although comics seemed to have been overshadowed by radio and television by this time period, the companies were still getting stories out about social topics because they were able to create new and interesting stories to keep their fanbase buying and coming back for more. One of the other main reasons comics were able to stay at the forefront of social transformation was because they were able to change the way superheroes were created, another change that was beneficial to the industry. Spiderman, for example, was a new way of developing a hero. Even when Peter Parker develops his powers, he is still reluctant to use them for fighting crime and instead uses them to make money. Only when his grandfather is murdered by a criminal he let go does he start to use his powers for good. By keeping up with the times, comics were able to stay at the forefront of the social transformation in the US.

Comments

Popular posts from this blog

Understanding Comics Ch. 1-2 & Comic Book Nation Ch.1

To begin with, I really do like the idea of reading a comic about comics. I think it's a great idea and it's very well executed. As I was reading the first two chapters, I was surprised at how many examples there were of art in recent (and ancient, in some cases) history that are variations of "sequential visual art" and thus the foundations of modern comics. I'd never even thought about it before and it was hard to believe how many different kinds there were. I also love all the discussion about how our human brains automatically interpret certain images in a specific way, how we see others constantly but we identify ourselves when we look at cartoons, and how inanimate objects automatically becomes extensions of our bodies. The pyramid of styles was very interesting too as a way to conceptualize and almost graph or "place" a specific art style in comics. In Comic Book Nation , I enjoyed reading about the evolution of early comics from "funnies...

MegaCon 2011 Mobile Blog Entry

Next up, the Crime Noir Panel hosted by The Rack Pack Comic Podcast . Jimmy Palmiotti, Frank Tieri, Darwyn Cook and Dave Johnson are the speakers. MegaCon has matured as the comic industry has grown in importance in popular culture. Orlando's native convention should be attracting this kind of top talents and now it seem to be doing it.

Why blame comics for societal failure?

Why blame comics for societal failure? Society blamed comics for the societal failures because it was a fairly new industry, and as things seemed to go “wrong” they figured it must be comic books. When a child grew up during the war, his father was probably killing people and the military and his mother was probably making things in factories to help kill the opposition. The only things kids had to “babysit” them was comic books, and they read many different kinds. So when kids starting acting differently in this new generation the figured it must be the comic books. Society didn’t want to believe it may have been the internal and external scars war causes on the soldiers and their families. Also the fact that young unattended children are reading these comics may not be able to differentiate between fantasy and reality. When society fails it always needs a scapegoat then it was comic books next it was rock and roll. Society naturally resist change.