Skip to main content

I don't think that comics were at the forefront of social change in the 1960's. They were certainly a reflection on the current social situation, but I feel that to say they were at the forefront would imply a more active role. Comics for much of the the 1960's were still influenced by and recovering from the censorship of the 1950's and the Comics Code. They had to work very hard to get away from the increased camp of their images, and it took time for people to shift back to being interested in superheroes. No, comics were more of a tag-a-long for social change than standing proudly at the forefront of it.

It is impossible to mention comics in the 1960's without talking about two publishers: DC and Marvel. DC had an interesting role in the 60's. They were stuck with comics that no one seemed to take seriously for most of the decade, and they were apparently happy with this fact. However, they did re-style and relaunch many of their past characters from the 40's, albeit with an updated look and back story. This reflects the social changes because most of the characters went from leaning more towards fantasy to more towards science fiction. Some examples of this can be seen in the Flash's new costume and the Green Lantern's new back story. This shows how comics were influenced by the increased emphasis on science and math as a result of the Cold War, especially the space race. However, this was the main influence of the 1960's on DC for much of the decade.

Marvel Comics, on the other hand, were much more directly influenced by the times. It was during the 1960's that Marvel developed many of their most famous superheroes for the first time, so there heroes are a product of the age they were written in. Stan Lee helped to change the superhero image, because his heroes were not the images of infallible perfection seen in DC. They got angry. They got upset. They made mistakes. They were much easier to relate to for a generation that felt constrained and misunderstood by society at large. The best example of this is Peter Parker, the secret identity of Spiderman. Marvel tended to create it's comics with much more "fun" than DC, and so they were infused with a greater essence from their creators.

Of course, aside from these changes, the most obvious other influence of the 1960's on comics was in the story lines that were created, but this occurs in every decade. It is in the nature of comics to draw on the state of the world at large for source material. Again, this is seen in the origin stories of many notable Marvel characters; many seem to get their powers from nuclear radiation. The story's also often featured themes difficult to discuss in the 1960's, such as the student protests, the Vietnam War, the civil right's movement, and other issues. However, as I said, this was more out of a desire to reflect the times than to be proactively commenting on social change. Overall, I think that comics weren't really at the forefront of change in the 1960 as much as they were influenced by it.

Comments

Popular posts from this blog

Mythology and Superheroes in Comics

Ohhh my goodness... When I decided on trying to analyze the mythological origins and references in superhero comics, I had no idea the can of worms I was opening up... On the one hand, it was awesome to see just how many connections there were between superheroes and psychology/mythology/philosophy, but all the information also made it terribly difficult to distinguish what I should be using and how to tie it all together. When I was talking to one of my sorority sisters about it she said, "Oh yeah, well, research essays are kind of like putting together puzzles..." and I think that really sums up what writing this paper was like for me. Fortunately, I was really interested throughout the whole process and I very much enjoyed writing the paper. Being a psychology major, I was especially interested in reading about the Jungian archetypes that had a lot of parallels with major modern comic books superheroes. I was also able to incorporate Joseph Campbell's "hero cycle...

Why blame comics for societal failure?

Why blame comics for societal failure? Society blamed comics for the societal failures because it was a fairly new industry, and as things seemed to go “wrong” they figured it must be comic books. When a child grew up during the war, his father was probably killing people and the military and his mother was probably making things in factories to help kill the opposition. The only things kids had to “babysit” them was comic books, and they read many different kinds. So when kids starting acting differently in this new generation the figured it must be the comic books. Society didn’t want to believe it may have been the internal and external scars war causes on the soldiers and their families. Also the fact that young unattended children are reading these comics may not be able to differentiate between fantasy and reality. When society fails it always needs a scapegoat then it was comic books next it was rock and roll. Society naturally resist change.

#FUTURES: Tomorrow Idris Elba will be the Last Man Standing

There is some bad buzz around Pacific Rim on the web. I suspect the possibility of a giant robot movie being awesome is too much for some people.  The internet is full of dark corners, but until we see the movie we won't know the box office.  What we can tell right now is that Idris Elba is doing his part to make the movie a success. A standout performer, Elba has made a name for himself in countless productions .  He achieve wide recognition for his turn on the big screen in films such as Thor and on the small screen in the BBC's Luther . Of course, the open question about actors of color in any film is whether not they will help or hurt the box office.  Will Smith recent disappointment with After Earth opens the door for this conversation. His lack of success sparks the question who will be the next "bankable" star of color. There can be only one! See what I did there:-)  These sentiments reflect a Hollywood centric approach that ignores Nolly...