Skip to main content

What is the future for the superhero?

The future of the superhero is up to the fans and the industry to decide. Since 2000, the superhero genre became part of a more advanced transmedia experience. Cartoons, video games, backpacks, lunchboxes, schoolbooks, movie sagas, and classes are now dedicated to various forms of the history and future of the superhero.

The recent trend for the 90s generation has brought back some relevance to the superhero market. "Geek Chic" has influenced people (usually in their college years) that intelligence actually has a comedic or sex appeal, and the comic book culture along with superheroes has made a comeback. The summer of 2011 was dominated with new Marvel-based movies that have set the basis for other movies to cone, namely the Avengers. Other characters from both Marvel and DC are set to have movies of their own by summer of 2012. Lastly, DC's "New 52" has provided advanced art forms and plot-lines to open up to a new audience. Like Marvel, they plan to publish their comics online to provide to those without access to a comic store. Video games offer the opportunity to tell a different story in which the person is thrust into the world of the hero, which has a major appeal in terms of the superhero and to an increasingly virtualized world.

International comics have also become a part of the "Geek Chic" fandom, with the inclusion of British comics such as "Watchmen" and "League of Extraordinary Gentlemen" in the U.S. market. Anime and mangas are the Japanese form of cartoons and comics, which were also popular in the 90s. Mangas like Dragonball Z and Sailor Moon were examples of amines that were popularized in America, and appealed to both male and female audiences. Supernatural characters have also made a tremendous comeback, some more heroic and intense than others.

For the newest generation, it is unclear if comic book superheroes will survive, but the reception is mostly positive. The industry has lasted for almost one hundred years, and it is doubtful that the industry will slow down any more. Spin-offs were another way of manufacturing the superhero genre without the superhero costume. Heroes was a popular show on NBC within the first two seasons, but ratings steadily declined as it continued. The British TV show Misfits is a spin-off of Heroes, and acts as almost a parody. The approach, however, is different from the morals of a grown superhero and points to the teen audience. The amount if fans grows each season, even with the removal of favorite characters. Star Wars, Batman, Superman, Green Lantern, Justice League and Teen Titans have been merchandised and ultimately turned into successful cartoons, capturing the minds of the younger generation. The biggest question is the future of comics, and whether the younger generation will be as interested in the backstory that is more in-depth on paper than what could ever be on the screen.

Comments

Popular posts from this blog

Mythology and Superheroes in Comics

Ohhh my goodness... When I decided on trying to analyze the mythological origins and references in superhero comics, I had no idea the can of worms I was opening up... On the one hand, it was awesome to see just how many connections there were between superheroes and psychology/mythology/philosophy, but all the information also made it terribly difficult to distinguish what I should be using and how to tie it all together. When I was talking to one of my sorority sisters about it she said, "Oh yeah, well, research essays are kind of like putting together puzzles..." and I think that really sums up what writing this paper was like for me. Fortunately, I was really interested throughout the whole process and I very much enjoyed writing the paper. Being a psychology major, I was especially interested in reading about the Jungian archetypes that had a lot of parallels with major modern comic books superheroes. I was also able to incorporate Joseph Campbell's "hero cycle...

Why blame comics for societal failure?

Why blame comics for societal failure? Society blamed comics for the societal failures because it was a fairly new industry, and as things seemed to go “wrong” they figured it must be comic books. When a child grew up during the war, his father was probably killing people and the military and his mother was probably making things in factories to help kill the opposition. The only things kids had to “babysit” them was comic books, and they read many different kinds. So when kids starting acting differently in this new generation the figured it must be the comic books. Society didn’t want to believe it may have been the internal and external scars war causes on the soldiers and their families. Also the fact that young unattended children are reading these comics may not be able to differentiate between fantasy and reality. When society fails it always needs a scapegoat then it was comic books next it was rock and roll. Society naturally resist change.

#FUTURES: Tomorrow Idris Elba will be the Last Man Standing

There is some bad buzz around Pacific Rim on the web. I suspect the possibility of a giant robot movie being awesome is too much for some people.  The internet is full of dark corners, but until we see the movie we won't know the box office.  What we can tell right now is that Idris Elba is doing his part to make the movie a success. A standout performer, Elba has made a name for himself in countless productions .  He achieve wide recognition for his turn on the big screen in films such as Thor and on the small screen in the BBC's Luther . Of course, the open question about actors of color in any film is whether not they will help or hurt the box office.  Will Smith recent disappointment with After Earth opens the door for this conversation. His lack of success sparks the question who will be the next "bankable" star of color. There can be only one! See what I did there:-)  These sentiments reflect a Hollywood centric approach that ignores Nolly...