Skip to main content

Understaning Comics 60-215

Upon scanning the title I wasn’t sure what Scott McCloud meant by “The Invisible Art.” I thought it could be referring to the certain underground culture that surrounds comics, but I wasn’t completely sure. I was pleasantly surprised to see that the whole book is in the comic format. I think McCloud did a wonderful job explaining the art behind comics. When you’re reading the Sunday comics you realize that there is art behind it, but not to the depth of deciding on the size of the frame or which thought bubble to use. I’m not surprised that comics aren’t seen as a legitimate form of art. Since it is known to be geared toward children, scholars and the general public dismisses comics as childish and a simple craft. McCloud pointed out so many facts about the way humans perceive themselves and the world we live in. I enjoyed reading the different categories that he compiled to discuss the mechanics of creating a comic. The section on time frame and the evolution of depicting motion was quite interesting to me. I’ve seen all these types of motion portrayed when I read the Sunday paper. Before I never thought about their origin and the changes they have gone through. The chapter on time and how the artist draws a particular scene to portray a certain amount of time interested me as well. After learning about closure I can visualize how it works in my mind when you read a long panel and several actions happen seemingly at once. I think McCloud has written a fun and thoughtful book on comics. He addresses things like the use of the line to the visual metaphors comics use. I also liked the comparison between Japanese and American comics. Parallels between the two cultures help to show the different uses of the 6 kinds of action between frames. I think this book was great and a good start to understanding comics.

Comments

Popular posts from this blog

Why blame comics for societal failure?

Why blame comics for societal failure? Society blamed comics for the societal failures because it was a fairly new industry, and as things seemed to go “wrong” they figured it must be comic books. When a child grew up during the war, his father was probably killing people and the military and his mother was probably making things in factories to help kill the opposition. The only things kids had to “babysit” them was comic books, and they read many different kinds. So when kids starting acting differently in this new generation the figured it must be the comic books. Society didn’t want to believe it may have been the internal and external scars war causes on the soldiers and their families. Also the fact that young unattended children are reading these comics may not be able to differentiate between fantasy and reality. When society fails it always needs a scapegoat then it was comic books next it was rock and roll. Society naturally resist change.

Mythology and Superheroes in Comics

Ohhh my goodness... When I decided on trying to analyze the mythological origins and references in superhero comics, I had no idea the can of worms I was opening up... On the one hand, it was awesome to see just how many connections there were between superheroes and psychology/mythology/philosophy, but all the information also made it terribly difficult to distinguish what I should be using and how to tie it all together. When I was talking to one of my sorority sisters about it she said, "Oh yeah, well, research essays are kind of like putting together puzzles..." and I think that really sums up what writing this paper was like for me. Fortunately, I was really interested throughout the whole process and I very much enjoyed writing the paper. Being a psychology major, I was especially interested in reading about the Jungian archetypes that had a lot of parallels with major modern comic books superheroes. I was also able to incorporate Joseph Campbell's "hero cycle...

The 1950s Are Often Portrayed As A Period of Social Cohesion...

People didn’t set the standards; the standards were set for you. The 1950s were not a time of social cohesion but it was misleading because it was a time of “don’t air your dirty laundry.” Women were to act perfect; the “Stepford wife” if you will, while the men went to work like “Don Draper.” Although the comic codes were in full fruition, people found ways to cause a raucous. Comic books were the reason that children were acting violently. Comic books are a media outlet and they didn’t have to follow the conservative nature that the decade seemed to promote. One of the most popular selling genres of that time was the Romance comics. The romance comics not only attracted male readers, but female readers as well. This, alone, can be alarming for the “social cohesion” of the 50s because men expected their wives to be at home all day cooking, cleaning, caring for the children, etc. They didn’t want their wives spending any additional time reading comic books. Perhaps the comic co...