The recent article from Fine Book Magazine on prices for comics points out a particular problem associated with attention on comic book media. The rush to pay high prices for Golden Age comic book has put the spotlight on collecting and the cultural value of the comic books, especially the superhero comic book. With this rise in value comes a serious re-evaluation by academics and cultural critics. The real value in the article is the overview of price points--Silver Age stuff in six figures, Golden Age stuff in the seven figure range. Rarity is a more complex question than this article reveals. There are a number of lesser known Golden Age characters that arguably would be easier to find, but would the average reader even recognize such characters. Recently, as I was putting together my TEDx Orlando talk, I was cautious not to use characters under copyright protection. Thus those characters from Marvel (Spider-Man) and DC (Superman) were for the most part off limits. On the other hand, a host of Golden Age characters were free and in the public domain. The images were clearly superheroic in nature, but the characters were unknown to the wider public. The rise in value associated with comics are linked to Golden and Silver Age characters controlled by Marvel and DC, but a legion of Golden Age character exists and it is possible that these comics may still exist in dusty bins somewhere. You can find information on these public domain characters on the web. Keep your eye out for these forgotten characters.
Throughout the 60’s, comics were at the forefront of social transformation. Possibly the best example of this is through comics reflection of the public’s view of the Vietnam War. At the beginning of the war a majority of Americans fully supported the cause. The idea that communism, the most evil idea conceived, could spread first through South-East Asia and eventually to the US lead Americans to accept the need to occupy Vietnam. However as the war progressed it became more obvious that it was less to defend democracy and actually just a proxy war against Russia. As support for the war diminished, comics greatly altered their position on the war to question the causes of the war, and whether the US should actually be there. The comic Iron Man accurately represented this shift in support as he stopped dealing arms, and took a moral stand against their use. As well as Vietnam War culture, comics also accurately portrayed youth culture in the US throughout the 60’s. Comics suc...
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