Skip to main content

Keep to the Cutting Edge in More Ways Than One

There is no doubt that academics have a very particular view of the world. The public can be dismissive of academic writing and thought because they "live in an ivory tower." People tend to forget the purpose of the "ivory tower" is to allow some small part of society to think and write without fear their words will lead to reprisals. Why do I mention this? Well, like any other subject that get a critical appraisal, comics, under the right critical lens, can be a source of contention.


Above you see Michael Lecker at the 2009 Florida Conference of Historian. Mr. Lecker's “You Made Them Strong, We’ll Make Them Army (Avengers) Strong: How the Marvel Universe’s Story Arc and Ad Usage are Propaganda for Army Recruitment," is one example of how Ages of Heroes, Eras of Men applies cutting edge scholarship. Lecker's work is heavily influence by French theorist Michel Foucault. Specifically, he is using Foucault's Biopower concept to explore how the state or interests align with the state may use comics as means to influence and/or control. To achieve his goals, he examines the impact of the Marvel Universe’s Civil War story arc, the ideologies represented within the narrative, and the placement of armed forces advertisements. For those of you unaware, the storyline for Civil War was that a tragic event splits the superhero community into two camps. One group, led by Iron Man, registers themselves with the U.S. government, reveal their secret identities, and become federal employees. The other group, led by Captain America, refuse to submit and go underground fighting against what they see as an abusive and undemocratic agenda. The government-sanctioned group hunts the unregistered heroes and, when caught, places them in a prison in the outer dimensional "Negative Zone" a clear allegory to real life prisons "outside" U.S. territory. The war ends when Captain America states that his political dissent hurts his country and does not allow the nation to move forward. He decides to conform to the law, despite his belief it is un-American and the pro-registration side wins, ushering in a new militarized superhero training program called the Avenger Initative. While the storyline may leave you uninterested, the implication offer by Michael Lecker that the placement and use of advertisement by the American military within the pages of Marvel comics offered a means to influence and shape reader's thinking about government action and power should interest you. Indeed, Civil War was a was a bestseller for Marvel and got widespread media coverage. Mr. Lecker is asking an important question about comics and their influence. It's a good thing he has an "ivory tower" he can call home.

Comments

Popular posts from this blog

Why blame comics for societal failure?

Why blame comics for societal failure? Society blamed comics for the societal failures because it was a fairly new industry, and as things seemed to go “wrong” they figured it must be comic books. When a child grew up during the war, his father was probably killing people and the military and his mother was probably making things in factories to help kill the opposition. The only things kids had to “babysit” them was comic books, and they read many different kinds. So when kids starting acting differently in this new generation the figured it must be the comic books. Society didn’t want to believe it may have been the internal and external scars war causes on the soldiers and their families. Also the fact that young unattended children are reading these comics may not be able to differentiate between fantasy and reality. When society fails it always needs a scapegoat then it was comic books next it was rock and roll. Society naturally resist change.

Mythology and Superheroes in Comics

Ohhh my goodness... When I decided on trying to analyze the mythological origins and references in superhero comics, I had no idea the can of worms I was opening up... On the one hand, it was awesome to see just how many connections there were between superheroes and psychology/mythology/philosophy, but all the information also made it terribly difficult to distinguish what I should be using and how to tie it all together. When I was talking to one of my sorority sisters about it she said, "Oh yeah, well, research essays are kind of like putting together puzzles..." and I think that really sums up what writing this paper was like for me. Fortunately, I was really interested throughout the whole process and I very much enjoyed writing the paper. Being a psychology major, I was especially interested in reading about the Jungian archetypes that had a lot of parallels with major modern comic books superheroes. I was also able to incorporate Joseph Campbell's "hero cycle...

The 1950s are often portrayed as a period of social cohesion. Why is this misleading?

When we think of the 1950's, most people think of similar things such as "Leave it to Beaver", very conservative and cliched pop music, and high patriotism. Our view of that time is one of social conformity to conservative values, with a traditional nuclear family where the father worked and the mother stayed home, where a majority of people attended church, where crime was relatively low, where a majority of American citizens were extremely patriotic, and where entertainment media emphasized these same conservative values and were subjected to censorship if they did not conform. This is misleading because while these things were all true to a certain extent, the world was obviously not perfect and not everyone was conforming or upholding traditional values, even if it seemed like they were. The 1950's were actually a very tumultuous time period, with the end of World War II leaving Europe war torn and in debt, the outbreak of the Korean War and the clashes of opinion...