Skip to main content

My Take on Copyrights

From a business/economic perspective, copyright laws make plenty of sense. Anyone who does creative work for a living would like to be sure that no one else can begin stealing the source of their daily bread.
However, from a creative standpoint, copyrights inhibit free thought and place creative minds in a more concerned, "am I allowed to use this?" state. Traditionally, in the world of comics, the only new perspectives we get on classic characters are those approved by the publishers themselves. New revisions are now sometimes available on the internet (see the picture in a previous post of the Peanuts dressed as Watchmen), but rarely do we get new, interesting views at characters whose qualities many may take for granted. Consider "Punisher kills the Marvel Universe," a fun one-shot comic in which the Punisher murders just about every other hero Marvel has ever produced, including all of the X-Men AND their villains. The overall effect is fanciful and darkly comedic, yet in no place in the comic does it seem like this could ever fit into continuity. Still, its a fun look into the potential future of the character.
If companies were able to handle their own titles and characters correctly and consistently create high-quality work, they would have nothing to fear from others who would be producing non-canonical versions. When fifteen versions of Spider-man hit store shelves and four of them are from independent creators, audiences always seem to win.

Comments

Popular posts from this blog

Mythology and Superheroes in Comics

Ohhh my goodness... When I decided on trying to analyze the mythological origins and references in superhero comics, I had no idea the can of worms I was opening up... On the one hand, it was awesome to see just how many connections there were between superheroes and psychology/mythology/philosophy, but all the information also made it terribly difficult to distinguish what I should be using and how to tie it all together. When I was talking to one of my sorority sisters about it she said, "Oh yeah, well, research essays are kind of like putting together puzzles..." and I think that really sums up what writing this paper was like for me. Fortunately, I was really interested throughout the whole process and I very much enjoyed writing the paper. Being a psychology major, I was especially interested in reading about the Jungian archetypes that had a lot of parallels with major modern comic books superheroes. I was also able to incorporate Joseph Campbell's "hero cycle...

Why blame comics for societal failure?

Why blame comics for societal failure? Society blamed comics for the societal failures because it was a fairly new industry, and as things seemed to go “wrong” they figured it must be comic books. When a child grew up during the war, his father was probably killing people and the military and his mother was probably making things in factories to help kill the opposition. The only things kids had to “babysit” them was comic books, and they read many different kinds. So when kids starting acting differently in this new generation the figured it must be the comic books. Society didn’t want to believe it may have been the internal and external scars war causes on the soldiers and their families. Also the fact that young unattended children are reading these comics may not be able to differentiate between fantasy and reality. When society fails it always needs a scapegoat then it was comic books next it was rock and roll. Society naturally resist change.

#FUTURES: Tomorrow Idris Elba will be the Last Man Standing

There is some bad buzz around Pacific Rim on the web. I suspect the possibility of a giant robot movie being awesome is too much for some people.  The internet is full of dark corners, but until we see the movie we won't know the box office.  What we can tell right now is that Idris Elba is doing his part to make the movie a success. A standout performer, Elba has made a name for himself in countless productions .  He achieve wide recognition for his turn on the big screen in films such as Thor and on the small screen in the BBC's Luther . Of course, the open question about actors of color in any film is whether not they will help or hurt the box office.  Will Smith recent disappointment with After Earth opens the door for this conversation. His lack of success sparks the question who will be the next "bankable" star of color. There can be only one! See what I did there:-)  These sentiments reflect a Hollywood centric approach that ignores Nolly...