Skip to main content

What copyright law means to me.

When it comes to copyright laws, I actually don't have such a hard time figuring out how I feel about the issue... I think that if you've created a character or some other unique idea, that creation should belong to you for your entire life and, upon your death, should be passed to whomever you have seen fit to continue its legacy properly. All of the talk about whether someone else could "do better" with your character is irrelevant because there's just as much chance that they'll do poorly and potentially ruin everything that you have built. That's a bit radical, I know, but it is a possibility. If you have a unique idea for an existing character, I do believe that you should be heard. If your idea is accepted, that's great; if not, what's the use in getting upset about it? Like it or not, the creator knows better than you because it's his or her own character and, whether they actually have a better vision than you or not, they've earned the right to do what they think is best to preserve their own creation. So, I guess what I'm saying is, if you have an innovative idea for someone else's character or story and it doesn't work out, create your own character and then you can do whatever you want! Once you make something, it should belong to you and you alone.

Comments

Popular posts from this blog

Understanding Comics Ch. 1-2 & Comic Book Nation Ch.1

To begin with, I really do like the idea of reading a comic about comics. I think it's a great idea and it's very well executed. As I was reading the first two chapters, I was surprised at how many examples there were of art in recent (and ancient, in some cases) history that are variations of "sequential visual art" and thus the foundations of modern comics. I'd never even thought about it before and it was hard to believe how many different kinds there were. I also love all the discussion about how our human brains automatically interpret certain images in a specific way, how we see others constantly but we identify ourselves when we look at cartoons, and how inanimate objects automatically becomes extensions of our bodies. The pyramid of styles was very interesting too as a way to conceptualize and almost graph or "place" a specific art style in comics. In Comic Book Nation , I enjoyed reading about the evolution of early comics from "funnies...

MegaCon 2011 Mobile Blog Entry

Next up, the Crime Noir Panel hosted by The Rack Pack Comic Podcast . Jimmy Palmiotti, Frank Tieri, Darwyn Cook and Dave Johnson are the speakers. MegaCon has matured as the comic industry has grown in importance in popular culture. Orlando's native convention should be attracting this kind of top talents and now it seem to be doing it.

Mythology and Superheroes in Comics

Ohhh my goodness... When I decided on trying to analyze the mythological origins and references in superhero comics, I had no idea the can of worms I was opening up... On the one hand, it was awesome to see just how many connections there were between superheroes and psychology/mythology/philosophy, but all the information also made it terribly difficult to distinguish what I should be using and how to tie it all together. When I was talking to one of my sorority sisters about it she said, "Oh yeah, well, research essays are kind of like putting together puzzles..." and I think that really sums up what writing this paper was like for me. Fortunately, I was really interested throughout the whole process and I very much enjoyed writing the paper. Being a psychology major, I was especially interested in reading about the Jungian archetypes that had a lot of parallels with major modern comic books superheroes. I was also able to incorporate Joseph Campbell's "hero cycle...