Skip to main content

Watchmen and Alan Moore

Watchmen was an incredible comic, and what makes it most incredible to me is how well Alan Moore captured the American spirit. As a British writer, Moore was able to realistically capture the American affliction of the 80’s better than other gigantic comics events of the time such as Crisis on Infinite Earths and Days of Future Past. Maybe, this can be attributed to a certain detachment in Moore. As a Brit, he was able to look upon America without an undying love for the nation but also capture the culture without being overly critical.
I found Watchmen superior to Crisis on Infinite Earths or Days of Future Past in part because of the great writing. His narrative structure come from specific places such as Rorschach’s journal or Hollis Mason's memoir. These techniques engage the reader on a personal and somewhat intellectual level where as many comics have a random box of text setting the scene coming from a mystery source.
Also, Moore’s initial transcript of the first panels was incredible. Moore put an incredible amount of detail into his writing even when the only element of a panel was a simple street drain. His meticulous writing process also reveals how important each panel is to the story. When writing, no word should be wasted, and in Comics, no panel should be wasted.

Comments

Popular posts from this blog

Understanding Comics Ch. 1-2 & Comic Book Nation Ch.1

To begin with, I really do like the idea of reading a comic about comics. I think it's a great idea and it's very well executed. As I was reading the first two chapters, I was surprised at how many examples there were of art in recent (and ancient, in some cases) history that are variations of "sequential visual art" and thus the foundations of modern comics. I'd never even thought about it before and it was hard to believe how many different kinds there were. I also love all the discussion about how our human brains automatically interpret certain images in a specific way, how we see others constantly but we identify ourselves when we look at cartoons, and how inanimate objects automatically becomes extensions of our bodies. The pyramid of styles was very interesting too as a way to conceptualize and almost graph or "place" a specific art style in comics. In Comic Book Nation , I enjoyed reading about the evolution of early comics from "funnies...

MegaCon 2011 Mobile Blog Entry

Next up, the Crime Noir Panel hosted by The Rack Pack Comic Podcast . Jimmy Palmiotti, Frank Tieri, Darwyn Cook and Dave Johnson are the speakers. MegaCon has matured as the comic industry has grown in importance in popular culture. Orlando's native convention should be attracting this kind of top talents and now it seem to be doing it.

Truth, Justice, and the American Way!

Look- in the sky! It's a bird! It's a plane! It's... SUPERMAN!!! Look- in that room! It's a cat! It's a giant lump! It's me... BORED! I have never quite been able to assess why I dislike Superman so much. He's supposedly the purest, truest American superhero we have. America's very own mythology. And I like America well enough, some might even say I love it. So why do I dislike Superman so much. Maybe it's because he doesn't feel truly American to me. I mean, don't get me wrong- he's all about truth and justice and all. He's an immigrant of sorts, and he definitely falls into the whole perfect body image paradigm. But he's not flawed, and less face it, all Americans are flawed... most time really REALLY flawed. Iron Man's an alcoholic, Spider-Man's a brooding, angsty "I caused the death of my first, possibly true, love" young adult, and the X-men are all mutant 'freaks' (note these are all Marvel comics)....