One of the constant questions that I face as a historian is why do I spend time researching comic books and comic book culture. The reasons for these questions are numerous. On one level, it is a question of training (although seldom vocalized as such). This is fair question, I did not graduate from an American Studies Program—I graduated from a history program. Moreover, I do not focus on a “cultural” topic in same way some of my peers did. Indeed, I avoided the more exotic theory driven analytical approaches pursued by my peers. This was not from lack of understanding, if anything it was from annoyance (if you have ever been in a meeting with someone who won't shut-up, think about that person channeling dozens of other people who won't shut up—that is the grad student in love with theory. It gets old quick. These questions aside, my concern with the city has personal, professional, and ideological foundations. This is not a space I feel a need to explain every nuisance o...
A blog for and about the intersection of comic books and American history.