Skip to main content

Oh Yeah, American Graphic Media!


You know, when all is said and done, what a great class this was. When will we ever get a chance to study comic books for a whole semester in our journeys toward scholar-hood. Most likely never again. I have had several of my friends come up to me and roll their eyes at the subject material for this course. At first all I had to defend myself was throwing out nifty, trivial pursuit-like facts about comics like the man who invented Wonder Woman graduated with a Ph.D. from Harvard and invented the Lie Detector machine, or some man named Thomas Nast created the images of Santa Claus and Uncle Sam.

That was fine and all, but that did not convince my friends to believe in the credibility of American Graphic Media. Much time has passed since then, and now I fell more prepared to face the challenging assumptions the course still has. Now I can talked about how the Nuclear age of the 1950s was reflected in comic books with stories of the ill-fate Atoman, and Captain Marvel's nuclear holocaust story from Comic Book Nation. Or I can talk about Race and Racism in comics like the story of mistreatment Christopher Priest dealt with by being the first black editor at Marvel. I have found that whenever I discuss this with my friends they are drawn more closely to what I have to say when I talk about Race in comics instead of who invented Santa's image.

As far as the photo essay goes... I had fun making it. It was nice to flex my creative muscles and get credit for it. Would I recommend this class to someone? Sure. I don't think I'll ever read comics or watch their film/television adaptations the same ever again.

Comments

Popular posts from this blog

Understanding Comics Ch. 1-2 & Comic Book Nation Ch.1

To begin with, I really do like the idea of reading a comic about comics. I think it's a great idea and it's very well executed. As I was reading the first two chapters, I was surprised at how many examples there were of art in recent (and ancient, in some cases) history that are variations of "sequential visual art" and thus the foundations of modern comics. I'd never even thought about it before and it was hard to believe how many different kinds there were. I also love all the discussion about how our human brains automatically interpret certain images in a specific way, how we see others constantly but we identify ourselves when we look at cartoons, and how inanimate objects automatically becomes extensions of our bodies. The pyramid of styles was very interesting too as a way to conceptualize and almost graph or "place" a specific art style in comics. In Comic Book Nation , I enjoyed reading about the evolution of early comics from "funnies...

MegaCon 2011 Mobile Blog Entry

Next up, the Crime Noir Panel hosted by The Rack Pack Comic Podcast . Jimmy Palmiotti, Frank Tieri, Darwyn Cook and Dave Johnson are the speakers. MegaCon has matured as the comic industry has grown in importance in popular culture. Orlando's native convention should be attracting this kind of top talents and now it seem to be doing it.

Truth, Justice, and the American Way!

Look- in the sky! It's a bird! It's a plane! It's... SUPERMAN!!! Look- in that room! It's a cat! It's a giant lump! It's me... BORED! I have never quite been able to assess why I dislike Superman so much. He's supposedly the purest, truest American superhero we have. America's very own mythology. And I like America well enough, some might even say I love it. So why do I dislike Superman so much. Maybe it's because he doesn't feel truly American to me. I mean, don't get me wrong- he's all about truth and justice and all. He's an immigrant of sorts, and he definitely falls into the whole perfect body image paradigm. But he's not flawed, and less face it, all Americans are flawed... most time really REALLY flawed. Iron Man's an alcoholic, Spider-Man's a brooding, angsty "I caused the death of my first, possibly true, love" young adult, and the X-men are all mutant 'freaks' (note these are all Marvel comics)....