Skip to main content

IM3--Favreau and the New Disney-Marvel Cultural Campaign

Jon Favreau will not direct Iron Man 3 and I can't say I blame him. While rumors that conflict with Marvel drove him out, the reality is it doesn't matter. After doing more to build the Marvel Cinematic Universe than any director alive, he has earned some time off.

With the 3rd film facing the inevitable problem of trying to integrate multiple Marvel movie narratives, it smart to walk away and let new eyes look at IM3. His relationship with Disney is only going to get stronger and he can provide a lot of creative vision, something the Disney/Marvel fusion needs if it is going to be successful. Favreau is moving on to another major Disney movie and he will likely have a hand in shaping the coming Marvel movies as a executive producer. The future for Disney is the effective use of legacy properties and integrating acquisitions like Marvel in way that expand the entertainment experience on multiple platforms. That future requires creative collaborator who understand the properties, but are not overwhelmed by them. Favreau has demonstrated he can do that, so I suspect Marvel will continue to do what it can to make their relationship work.

Comments

Popular posts from this blog

Understanding Comics Ch. 1-2 & Comic Book Nation Ch.1

To begin with, I really do like the idea of reading a comic about comics. I think it's a great idea and it's very well executed. As I was reading the first two chapters, I was surprised at how many examples there were of art in recent (and ancient, in some cases) history that are variations of "sequential visual art" and thus the foundations of modern comics. I'd never even thought about it before and it was hard to believe how many different kinds there were. I also love all the discussion about how our human brains automatically interpret certain images in a specific way, how we see others constantly but we identify ourselves when we look at cartoons, and how inanimate objects automatically becomes extensions of our bodies. The pyramid of styles was very interesting too as a way to conceptualize and almost graph or "place" a specific art style in comics. In Comic Book Nation , I enjoyed reading about the evolution of early comics from "funnies...

MegaCon 2011 Mobile Blog Entry

Next up, the Crime Noir Panel hosted by The Rack Pack Comic Podcast . Jimmy Palmiotti, Frank Tieri, Darwyn Cook and Dave Johnson are the speakers. MegaCon has matured as the comic industry has grown in importance in popular culture. Orlando's native convention should be attracting this kind of top talents and now it seem to be doing it.

Truth, Justice, and the American Way!

Look- in the sky! It's a bird! It's a plane! It's... SUPERMAN!!! Look- in that room! It's a cat! It's a giant lump! It's me... BORED! I have never quite been able to assess why I dislike Superman so much. He's supposedly the purest, truest American superhero we have. America's very own mythology. And I like America well enough, some might even say I love it. So why do I dislike Superman so much. Maybe it's because he doesn't feel truly American to me. I mean, don't get me wrong- he's all about truth and justice and all. He's an immigrant of sorts, and he definitely falls into the whole perfect body image paradigm. But he's not flawed, and less face it, all Americans are flawed... most time really REALLY flawed. Iron Man's an alcoholic, Spider-Man's a brooding, angsty "I caused the death of my first, possibly true, love" young adult, and the X-men are all mutant 'freaks' (note these are all Marvel comics)....