Skip to main content

I'm Back!

Comic books... upfront let me say I'm so happy I took this class because otherwise I would not have had any real exposure to comics this semester- I just wouldn't have had time. But thank God (or whoever you might thank) that I did, cause now I get to talk about the awesomeness of 80s comics, which is where we seem to finally be stumbling towards. Now we seem to have started discussing minorities in comics, which were pretty non-existent in much of major comic continuity. Ironically enough, I'm pretty sure this is still a persistent problem. I'm actually writing about Black heroes for my term paper, and had a difficult time finding important characters within the Marvel and DC universe that truly encompass or depict the struggles Blacks face/d. Priest touched on this, and I thought that was a worthy part of his discussion (though I do not agree with much of the other things he said, but I digress). I wonder what it will take to have valuable depictions of other minorities in comics. I think it's quite interesting how some Black authors have written special arcs, like Eric Dickey Jerome with a Storm arc. Maybe minorities have to take charge and write their own material, but then the question arises of how they can take their work out of the indie realm into the mainstream.


Oh, and institutional racism... tough claim to make... I don't know if I completely buy it.

Comments

Popular posts from this blog

Understanding Comics Ch. 1-2 & Comic Book Nation Ch.1

To begin with, I really do like the idea of reading a comic about comics. I think it's a great idea and it's very well executed. As I was reading the first two chapters, I was surprised at how many examples there were of art in recent (and ancient, in some cases) history that are variations of "sequential visual art" and thus the foundations of modern comics. I'd never even thought about it before and it was hard to believe how many different kinds there were. I also love all the discussion about how our human brains automatically interpret certain images in a specific way, how we see others constantly but we identify ourselves when we look at cartoons, and how inanimate objects automatically becomes extensions of our bodies. The pyramid of styles was very interesting too as a way to conceptualize and almost graph or "place" a specific art style in comics. In Comic Book Nation , I enjoyed reading about the evolution of early comics from "funnies...

MegaCon 2011 Mobile Blog Entry

Next up, the Crime Noir Panel hosted by The Rack Pack Comic Podcast . Jimmy Palmiotti, Frank Tieri, Darwyn Cook and Dave Johnson are the speakers. MegaCon has matured as the comic industry has grown in importance in popular culture. Orlando's native convention should be attracting this kind of top talents and now it seem to be doing it.

Truth, Justice, and the American Way!

Look- in the sky! It's a bird! It's a plane! It's... SUPERMAN!!! Look- in that room! It's a cat! It's a giant lump! It's me... BORED! I have never quite been able to assess why I dislike Superman so much. He's supposedly the purest, truest American superhero we have. America's very own mythology. And I like America well enough, some might even say I love it. So why do I dislike Superman so much. Maybe it's because he doesn't feel truly American to me. I mean, don't get me wrong- he's all about truth and justice and all. He's an immigrant of sorts, and he definitely falls into the whole perfect body image paradigm. But he's not flawed, and less face it, all Americans are flawed... most time really REALLY flawed. Iron Man's an alcoholic, Spider-Man's a brooding, angsty "I caused the death of my first, possibly true, love" young adult, and the X-men are all mutant 'freaks' (note these are all Marvel comics)....